Hay una confusión específica que está en el centro de todo esto y que vale la pena nombrar con precisión: la confusión entre ver el mecanismo y estar fuera del mecanismo. Son dos cosas completamente distintas.
Puedes entender perfectamente cómo funciona una trampa y seguir dentro. Puedes describir con exactitud los resortes de un sistema y ser parte de su funcionamiento. Ver no es salir, nombrar no es transformar,pero la postura que South Park instaló durante 25 años opera exactament...
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There's a specific confusion at the center of all this that's worth naming precisely: the confusion between seeing the mechanism and standing outside the mechanism. These are two completely different things.
You can understand perfectly how a trap works and still be inside it. You can describe exactly how a system's springs move and still be part of its operation. Seeing isn't getting out; naming isn't transforming, but the posture South Park installed over 25 years operates exactly on that confusion: it produces the feeling that lucidity is a real form of freedom, that understanding something is equivalent to standing outside of it.
The perfect viewer South Park manufactured isn't passive or ignorant. He's cognitively very active, well informed, capable of sophisticated analysis, who experiences that sophistication as a form of freedom and who, for that very reason, feels no pressure toward anything further, because he's already done what needed doing: he already saw, already understood, already laughed at the right things.
What he doesn't notice, what the installed posture prevents him from noticing, is that this whole movement happened entirely within the space the system can tolerate without any problem, that in this case lucidity isn't the first step of something — it's the first step and also the last.
Myth, then, is the form in which I try to answer when children ask me those fundamental metaphysical questions which come so readily to their minds: 'Where did the world come from?' 'Why did God make the world?' 'Where was I before I was born?' 'Where do people go when they die?' Again and again I have found that they seem to be satisfied with a simple and very ancient story, which goes something like this:
'There was never a time when the world began, because it goes round and round like a ...
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In some circles there is a strong taboo on religion, even in circles where people go to church or read the Bible. Here, religion is one's own private business. It is bad form or uncool to talk or argue about it, and very bad indeed to make a big show of piety. Yet when you get in on the inside of almost any standard-brand religion, you wonder what on earth the hush was about. Surely The Book I have in mind wouldn't be the Bible, 'the Good Book'—that fascinating anthology of ancient wisdom, ...
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“Watch your thoughts, they become your words; watch your words, they become your actions;
watch your actions, they become your habits;
watch your habits, they become your character; watch your character, it becomes your destiny.”
― Lao Tzu
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I was never chasing applause.
Applause is loud, but it disappears quickly.
I chose discipline over praise.
Because discipline builds when no one is watching.
Anyone can shine when the lights are on.
Few can stand upright in silence, when recognition is absent.
Strength is not aggression.
Honor is not weakness.
True power is self-control.
Do good without expecting a reward.
Work without demanding applause.
Respect yourself enough to stay consistent.
History doesn’t remember the loudest ...
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That spirit of innovation in mainstream entertainment that we of the Gen X generation enjoyed has since been crushed in a tide of remakes, reboots, and sequels. The mainstream cultural sector – the media conglomerates that control the films, TV, and music that make popular culture – is increasingly interested in producing its own intellectual property. They want it ready-made. They don’t create: they harvest. Like so many venture capitalists, they are more about extraction than generati...
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En realidad, como explica el ensayista Philipp Blom, todo
coleccionista necesita su inventario. Las cosas que se esfuerza en
reunir pueden volver a dispersarse algún día, vendidas o
saqueadas, sin dejar rastro de la pasión y los conocimientos que
impulsaban a su anterior dueño. Incluso a los más humildes
coleccionistas de sellos, libros o discos les duele imaginar que
seguramente en el futuro esos objetos elegidos uno a uno por
íntimos motivos volverán al revoltijo y la mezcolanza de l...
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What happens with your stream of experience if you realize that
no one is in control of it? If you see that it is just going along of
itself, unpushed and unpulled? (This is what the Chinese writing on
this page means: The Tao, the course of nature, flows of itself.) You
can get the feel of it by breathing without doing anything to help
your breath along. Let the breath out, and then let it come back by
itself, when it feels like it. And then out again when it wants to go
out. Keep this up un...
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Why do kids act like that? I have noticed that one of the first things that many new players do is try to break the world by being anti-social in a way they never could in real life. They do naughty things like slap guards in the face, flirt with the mayor's husband, or tell off the sheriff. After all, it can be good fun to discover the boundaries of the new playspace, work through learning how to play a character, and stick it to the man at the same time.
During gameplay people behave in a ...
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Inconsistencies in any fictional world can be jarring to audiences and detract from the narrative; “lacking consistency, a world may begin to appear sloppily constructed, or even random and disconnected.”58 Since Secondary Worlds are increasingly likely to be inconsistent as they grow in size and scope, analogies to the real world are particularly useful to Fantasy authors because they provide a template in which not every detail needs to be either imagined or explained to the audience. G...
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