1–20 of 376
A more serious problem arose for Tolkien, especially with apparently wholly evil beings, especially Orcs, but it applies also to others such as Wargs and Trolls. Since in Catholic theology evil cannot make, only mock, Orcs cannot have an equal and opposite morality to that of Men; but since they can reason about their…
That spirit of innovation in mainstream entertainment that we of the Gen X generation enjoyed has since been crushed in a tide of remakes, reboots, and sequels. The mainstream cultural sector – the media conglomerates that control the films, TV, and music that make popular culture – is increasingly interested in…
I could fill Volumes with Descriptions of Temples and Palaces, Paintings, Sculptures, Tapestry, Porcelaine, &c. &c. &c. -- if I could have time. But I could not do this without neglecting my duty. The Science of Government it is my Duty to study, more than all other Studies Sciences: the Art of Legislation and…
Inconsistencies in any fictional world can be jarring to audiences and detract from the narrative; “lacking consistency, a world may begin to appear sloppily constructed, or even random and disconnected.”58 Since Secondary Worlds are increasingly likely to be inconsistent as they grow in size and scope, analogies to…
The impact of Dungeons and Dragons (D&D) and its many transmedia products, while fairly infrequently discussed by historians of fiction in Fantasy, ought not to go unremarked. Even if the trickle-down influence of the game is not considered, its most popular realms were shared worlds in which large numbers of novels…
The influence of philological Anglo-Saxonism on Tolkien is clearly visible in his depiction of the Riders of Rohan who “resemble the ancient English down to minute detail.”42 Tolkien had access to the culture of the Anglo-Saxons through his professional work, and drew on their literature extensively. Yet that access…
Scholarly engagements with the Fantasy genre tend to come largely from literary perspectives and to focus on genre as a body of texts, usually written. Definitions, as a result, are generally concerned with how to delineate its boundaries – which texts are in and which are out? Brian Attebery’s delineation of…
Fantasy is a useful sub-set through which to explore popular culture not only because of its prominent position at the present historical moment,but because its inherently non-mimetic nature creates a space which is at least nominally not “the real world” and is therefore safer for cultural work around fraught issues…
If, as I write in the introduction, SF can be read as the queering of realism, then it is as the dominant culture’s death drive that it does so: SF provides the speculative challenge to our primary definitions of reality, the first step necessary in the creation of fiction as such, even as its movement away from…
Herbert’s critique of this seemingly countercultural utopia is precisely aimed at its conservatism. In necessarily rendering life static, the utopian vision must deny the instability of signification and that permits for change and development itself. In making this argument, I am aware that I am (or Herbert is)…
Delany—in his equally famous and oft-cited definition of science fiction—argues that science fiction is characterised by an extension of semiotic possibilities in language: that is, he argues that words can simply mean more in science fiction than they can in realist fiction. Delany sees this as a function of the…
Moreover, as Csicsery-Ronay points out, albeit in a different way, the “cognition effect” does not escape another problem Miéville points to. In the same piece, Miéville states that “A lot of science fiction that pretends it is about scientific rigor is actually predicated on a kind of a late Enlightenment model of…
En la época de Sócrates, los textos escritos aún no eran una herramienta habitual y todavía despertaban recelos. Los consideraban un sucedáneo de la palabra oral — liviana, alada, sagrada—. Aunque la Atenas del siglo V a. C. ya contaba con un incipiente comercio de libros, no sería hasta un siglo después, en tiempos…
Gathering treasure is an important part of Zork II, but assembling the booty in a trophy case is not the ultimate goal. In order to win, the interactor must have the player character supply these treasures to a powerful demon. This demon (like the robot) will do the adventurer a critical service-after he is…
The riddle can accomplish certain things by inviting the riddlee to awaken to a new vision of the world. It is not a form well suited to all sorts of discourse, however. According to Cohen (1996), It is clear that the riddle is not the best way of communicating about unknown things. If we want to learn from another…
A work of IF is not itself a narrative; it is an interactive computer program. A narrative is “the representation of real or fictive events and situations in a time sequence” (Prince 1980, 180); this can result from an interactive session but does not describe any IF work itself. Similarly, interactive fiction is not…
The core of the problem is that Tolkien conflates race, culture, and ability. Hobbits, he says, are a race, and based upon a combination their hereditary traits and cultural practices, are better at being stealthy than other races. Tolkien does this throughout his novels, outlining the “racial” characteristics of men…
If the reading revolution represented the greatest transfer of knowledge to ordinary men and women in history, the screen revolution represents the greatest theft of knowledge from ordinary people in history. Our universities are at the front line of this crisis. They are now teaching their first truly “post-literate”…
Steal not this book my honest friend For fear the gallows should be your end, And when you die the Lord will say And where's the book you stole away?
A fallen flower Returning to the branch? It was a butterfly.