24 MAR 2015 by ideonexus

 There is Too Much Art to Consume It All

So I have a counterclaim that exists today - Deviantart. Why can't everyone be an artist? Because you can only consume so much art. I have a page group that is currently ~45 pages of artists on that website whose galleries I need to review and potentially watch. They total up to around 15k works of art, and that pool just grows, I can never get it under wraps, because it would take me probably a full workweek just to get through half of that. On that, I'm already following nearly one thousa...
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19 FEB 2015 by ideonexus

 All Art is Plagiarism

Any text is woven entirely with citations, references, echoes, cultural languages, which cut across it through and through in a vast stereophony. The citations that go to make up a text are anonymous, untraceable, and yet already read; they are quotations without inverted commas. The kernel, the soul — let us go further and say the substance, the bulk, the actual and valuable material of all human utterances — is plagiarism. For substantially all ideas are secondhand, consciously and unco...
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12 JUN 2012 by ideonexus

 Variety of Temperaments in Scientists

Scientists are people of very dissimilar temperaments doing different things in very different ways. Among scientists are collectors, classifiers and compulsive tidiers-up; many are detectives by temperament and many are explorers; some are artists and others artisans. There are poets–scientists and philosopher–scientists and even a few mystics. ... and most people who are in fact scientists could easily have been something else instead.
Folksonomies: science culture
Folksonomies: science culture
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Collectors, philosophers, explorers, mystics...

11 JUN 2012 by ideonexus

 Artists Work Alone, Scientists Collaborate

Any artist or novelist would understand—some of us do not produce their best when directed. We expect the artist, the novelist and the composer to lead solitary lives, often working at home. While a few of these creative individuals exist in institutions or universities, the idea of a majority of established novelists or painters working at the 'National Institute for Painting and Fine Art' or a university 'Department of Creative Composition' seems mildly amusing. By contrast, alarm greets ...
Folksonomies: collectivism
Folksonomies: collectivism
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It is considered irresponsible for scientists to work alone.

03 JAN 2012 by ideonexus

 We Are Moving to a World Where Only Advertising is Worth ...

If you want to know what’s really going on in a society or ideology, follow the money. If money is flowing to advertising instead of musicians, journalists, and artists, then a society is more concerned with manipulation than truth or beauty. If content is worthless, then people will start to become empty-headed and contentless. The combination of hive mind and advertising has resulted in a new kind of social contract. The basic idea of this contract is that authors, journalists, musicians...
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Artists are being forced to give away their content for free, making it essentially worthless. When content is worthless, people will become contentless.

12 SEP 2011 by ideonexus

 Art and Science Require Both Creativity and Rationality

How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true sc...
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Art without rationality is lame, science without creativity is less innovative. Stereotypes of artists and scientists are unrealistic.

17 JAN 2011 by ideonexus

 Notes from the Science-Art Session

No direct quote for this meme.
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Summaries of comments made during the science art session by artists and audience members:

  • Hawks – interested in reconstruction, detailed realism, Neanderthal terminator, there is a tradition in anthropology of illustrating, Neanderthal are reconstructed to look doomed and confused, like it when illustrators and artists bring humanity into them, humor, Kenise Brothers give smiles to them, pose them, which isn’t scientific because we don’t know these things, but also more scientific because it isn’t so clinical
  • Orr – orogenic.blogspot.com geometric, abstract illustrations of birds
  • Links ot other artists on the wiki page: Carl Buell, etc http://scio11.wikispaces.com/Science-Art
  • Radiohead/Nine Inch Nails Model: put a lot free stuff online in hopes of eventually being hired to do something custom, people expect images for free
  • Criticism of Mellow's Darwin painting: the steps were too linear, it should have been a bush growing out of his head
  • Svpow.wordpress.com – fantasy images of brachiosaurs, not scientifically accurate, but memorable. Brian Ang.
  • My Favorite Anthropology Sculpture of Homo Erectus at the Hall of Human Origins - post a link to this image in the wiki.
  • The monkey rising to become man iconic image is really wrong and hurts evolution’s image outside of the field. Mitochondria is another example, in cells they are not blobs, but are networked.

 

 

 

 

 

 

 

01 JAN 2010 by ideonexus

 Happenings: Impermanent, Impromptu Art

In this context of achievement-and-death, artists who make Happenings are living out the purest melodrama. Their activity embodies the myth of nonsuccess, for Happenings cannot be sold and taken home; they can only be supported. And because of their intimate and fleeting nature, only a few people can experience them. They remain isolated and proud. The creators of such events are adventurers too, because much of what they do is unforseen. They stack the deck that way.
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Art as an adventure, where success kills the artist.
01 JAN 2010 by ideonexus

 How Do Artists Make Money in a World of "Free"

Obviously we must balance our desire for free stuff with a concern for work. but the open-source software tradition, our final authority on all social questions these days, has little to say about labor, oppression, compensation or collective bargaining. The supposed liberation heralded by those who promote free culture is winner-takes-all; exploit or be exploited, as long as you share your code. Anderson concedes this point, acknowledging that we "measure success in terms of creation of vast...
Folksonomies: creative commons
Folksonomies: creative commons
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It's easy for Google, buzzword-techno-Utopians, and progressives to estole the virtues of free media online, where copyrights are being broken down and everyone is producing free content because they love to do so, but artists still need to make a living. Media corporations are still getting rich, and software pirates are promoting their goods while trading them for free online. While google makes billions on indexing content, while those producing the content make nothing. What is the solution to this?