06 JUL 2024 by ideonexus

 Amorality in Games and Discovering the Algorithm

The rules of Vice City call for a vast accumulation of cash, cars and cronies, of weapons and real estate. Most of these activities are outside the law, but law is just part of a larger algorithm. In any case, the story and the art are arbitrary, mere decoration. If in utopia, everything is subordinated to a rigorous description, a marking of space with signs, in atopia, nothing matters but the transitive relations between variables. The artful surfaces of the game are just a way for the game...
Folksonomies: gamespace allegorithm
Folksonomies: gamespace allegorithm
  1  notes
 
25 FEB 2015 by ideonexus

 RPG as Theater, Storytelling, and Game

A roleplaying game is part improvisational theater, part storytelling, and part game. It is played by a gamemaster who runs the game and a group of players who pretend to be characters. These characters are created by the players, given a history and personality, and then further defined by a set of statistics that represent the character’s skills and attributes as developed in the character creation process (see Creating a Shadowrunner, p. 80). The gamemaster presents the setting and situa...
Folksonomies: rpg role-playing game
Folksonomies: rpg role-playing game
  1  notes
 
25 FEB 2015 by ideonexus

 Vampire RPG Focus on Storytelling

Storytelling is the focus of this book. It is also thewhole point of the Vampire game. But what exactly is Storytelling?There are two trite answers to this question: Storytelling is what Storytellersdo, and Read this book and find out.. Both are true, but neitheris particularly helpful. Storytelling is what Storytellers do. In Vampire,the Storyteller creates and presents Stories in which the players participatethrough the control of their characters. The result is an interactive typeof story...
  1  notes
 
24 FEB 2015 by ideonexus

 Player Motivations for Role-Playing

Actor The actor likes to pretend to be her character. She emphasizes character development that has nothing to do with numbers and powers, trying to make her character seem to be a real person in the fantasy world. She enjoys interacting with the rest of the group, with characters and monsters in the game world, and with the fantasy world in general by speaking “in character” and describing her character’s actions in the first person. The actor values narrative game elements over mech...
Folksonomies: rpg role-playing games
Folksonomies: rpg role-playing games
  1  notes