10 FEB 2018 by ideonexus

 Imaginative Play Creates Ownership

Ultimately, the child as creator exercises a whole range of capacities that set the Stage for original thinking. We find the imprint of creative practice in the blending of experiences and ideas, the classifications of real and imagined things, the organization of systemic patterns and narrative sequences, the modeling of worlds, the generation of artifacts, and the synthesizing of all that is known and felt into one grand design. The creating self "owns" the processes and products of make-...
  1  notes
 
05 JUN 2012 by ideonexus

 We Don't Question Human Artifacts

If the finding of Coines, Medals, Urnes, and other Monuments of famous Persons, or Towns, or Utensils, be admitted for unquestionable Proofs, that such Persons or things have, in former Times, had a being, certainly those Petrifactions may be allowed to be of equal Validity and Evidence, that there have been formerly such Vegetables or Animals. These are truly Authentick Antiquity not to be counterfeited, the Stamps, and Impressions, and Characters of Nature that are beyond the Reach and Powe...
Folksonomies: archeology
Folksonomies: archeology
  1  notes

So why do some question impressions of ancient animals?

05 JUN 2012 by ideonexus

 On Reading Chronology in Nature

I do ... humbly conceive (tho' some possibly may think there is too much notice taken of such a trivial thing as a rotten Shell, yet) that Men do generally rally too much slight and pass over without regard these Records of Antiquity which Nature have left as Monuments and Hieroglyphick Characters of preceding Transactions in the like duration or Transactions of the Body of the Earth, which are infinitely more evident and certain tokens than any thing of Antiquity that can be fetched out of C...
Folksonomies: geology
Folksonomies: geology
  1  notes

Hooke describes the difficulty and importance of establishing a chronology for mutations and catastrophes in the geological record.