06 JUL 2024 by ideonexus

 Heterotopias

Heterotopias of the game have never been of much interest to theory, but to gamer theory they may be a key precursor to gamespace. Among them are separate worlds pitting different attributes of body and mind into contests of skill or luck, from badminton to backgammon. Every way of measuring what one body does against another — each finds its own special heterotopia, its field, its court, its track, its pitch, its arena. Says defrocked Situationist Ralph Rumney: “It is now sport, not pain...
Folksonomies: gamespace heterotopia
Folksonomies: gamespace heterotopia
  1  notes

Not distopias or utopias, but an "otherness" form or world.

24 APR 2015 by ideonexus

 The Painting "Las Meninas"

The painter is standing a little back from his canvas [1]. He is glancing at his model; perhaps he is considering whether to add some finishing touch, though it is also possible that the first stroke has not yet been made. The arm holding the brush is bent to the left, towards the palette; it is motionless, for an instant, between canvas and paints. The skilled hand is suspended in mid-air, arrested in rapt attention on the painter's gaze; and the gaze, in return, waits upon the arrested gest...
Folksonomies: art identity perspective
Folksonomies: art identity perspective
  1  notes
 
11 JUN 2012 by ideonexus

 Artists Work Alone, Scientists Collaborate

Any artist or novelist would understand—some of us do not produce their best when directed. We expect the artist, the novelist and the composer to lead solitary lives, often working at home. While a few of these creative individuals exist in institutions or universities, the idea of a majority of established novelists or painters working at the 'National Institute for Painting and Fine Art' or a university 'Department of Creative Composition' seems mildly amusing. By contrast, alarm greets ...
Folksonomies: collectivism
Folksonomies: collectivism
  1  notes

It is considered irresponsible for scientists to work alone.

24 APR 2012 by ideonexus

 Science as a Candle in the Dark

I picture the vast realm of the sciences as an immense landscape scattered with patches of dark and light. The goal towards which we must work is either to extend the boundaries of the patches of light, or to increase their number. One of these tasks falls to the creative genius; the other requires a sort of sagacity combined with perfectionism.
Folksonomies: science metaphor
Folksonomies: science metaphor
 1  1  notes

We must work to extend the patches of light, according to Denis Diderot.

17 JAN 2011 by ideonexus

 Notes from the Science-Art Session

No direct quote for this meme.
  1  notes

Summaries of comments made during the science art session by artists and audience members:

  • Hawks – interested in reconstruction, detailed realism, Neanderthal terminator, there is a tradition in anthropology of illustrating, Neanderthal are reconstructed to look doomed and confused, like it when illustrators and artists bring humanity into them, humor, Kenise Brothers give smiles to them, pose them, which isn’t scientific because we don’t know these things, but also more scientific because it isn’t so clinical
  • Orr – orogenic.blogspot.com geometric, abstract illustrations of birds
  • Links ot other artists on the wiki page: Carl Buell, etc http://scio11.wikispaces.com/Science-Art
  • Radiohead/Nine Inch Nails Model: put a lot free stuff online in hopes of eventually being hired to do something custom, people expect images for free
  • Criticism of Mellow's Darwin painting: the steps were too linear, it should have been a bush growing out of his head
  • Svpow.wordpress.com – fantasy images of brachiosaurs, not scientifically accurate, but memorable. Brian Ang.
  • My Favorite Anthropology Sculpture of Homo Erectus at the Hall of Human Origins - post a link to this image in the wiki.
  • The monkey rising to become man iconic image is really wrong and hurts evolution’s image outside of the field. Mitochondria is another example, in cells they are not blobs, but are networked.