23 MAY 2015 by ideonexus
Human Propensity for Making More Complicated Things Out o...
A child stacks and packs all kinds of blocks and boxes, lines them up, and knocks them down. What is that all about? Clearly, the child is learning about space! But how on earth does one learn about time? Can one time fit inside another? Can two of them go side by side? In music, we find out! It is often said that mathematicians are unusually involved in music, but that musicians are not involved in mathematics. Perhaps both mathematicians and musicians like to make simple things more complic...03 JAN 2012 by ideonexus
The Rigidity of Digital
Before MIDI, a musical note was a bottomless idea that transcended absolute definition. It was a way for a musician to think, or a way to teach and document music. It was a mental tool distinguishable from the music itself. Different people could make transcriptions of the same musical recording, for instance, and come up with slightly different scores. After MIDI, a musical note was no longer just an idea, but a rigid, mandatory structure you couldn’t avoid in the aspects of life that had...MIDI as an example of how a digital version of a musical note boxed in the concept and removed us from the analog freedom of musical notes.
01 JAN 2010 by ideonexus
How the Analytical Engine Goes Beyond Mathematics
Again, it [the Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine . . . Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adapt...Distinguished from the Difference Engine, Ada Lovelace describes how the Analytical Engine could produce logical outputs, not just the results of mathematical equations.