The Scientist-Artist

We may soon discover that all babies are bom geniuses and only become degeniused by the erosive effects of unthinkingly maintained false assumptions of the grown-ups, with their conventional ways of "bringing up" and educating" their young. We now know that schools are the least favorable environment for leaming. The home TV is far more effective, but we are al¬ lowing the big money-making advertisers to poison the information children assimilate in their four to five hours a day of spontaneous tuming-on, looking at and hstening to the TV.

It is possible to identify some of the known faculties that we generally assumed to be coordinate in those whom society does concede to be adult geniuses. The publicly accredited characteristics of genius consist, for instance, of an actively self-attended intuition. The intuition, in tum, opens the conceptual and perceptual doors. With those doors self-opened, the in¬ nate faculties frequently combine and employ the individual's scientific, artistic, philosophical, and idealistic imaginings in producing physically talented, logical, far-sighted, and practical articulations. Leonardo da Vinci, who fortunately weathered the genius-eroding susceptibilities of childhood, manifested and coordinatingly employed all and more of such conceptual faculties and articulative capabilities.

In the graphically recorded history of the last eight millennia, as well as in the dim twilight of pre-Indo-Chinese, Mesopotamian, Egyptian, and South and Central American graphic documentations of history, there have appeared, from time to time, individuals who grew to maturity without los¬ ing the full inventory of their innate, intuitive, and spontaneously coordinate faculties. These unscathed individuals inaugurated whole new eras of physical environmental transformation so important as, in due course, to af¬ feet the lives of all ensuing humanity. We shall hereafter identify such un¬ scathed, comprehensively effective, and largely unidentified individual articulators as the artist-scientists of history.

Since the dawn of the most meagerly revealed human history there have been a number of importantly distinct periods of historical transformation of both the physical and cosmological environments of society. Each of these eras has been opened by the artist-scientist. The invisible power structures behind-the-visible-king first patronize and help to develop the artistscientists' advanced-environment breakthroughs, but always go on, ever more selfishly, to overexploit the breakthroughs.

The environment—everything that is "not me"—is subdivisible into two parts, physical and metaphysical. The metaphysical environment consists of human thoughts, generalized principles and customs. The artist-scientist types seem to have avoided attempting to reform the metaphysical environ¬ ment. They are documented only by their employment of the cosmic laws— generalized principles—to reorganize the physical constituents of the livingry and the scenery. The artist-scientists apparently assumed intuitively that a more man-favoring rearrangement of the environment would be con¬ ducive to humanity's spontaneous self-realization of its higher potentials. Human travelers coming to a river and finding a bridge across it sponta¬ neously use the bridge instead of hazarding themselves in the torrents.

Scientist-artists originally conceived and designed the bridges. The powerstructure-behind-the-king, seeing great exploitability of the bridge for their own advantaging, accredited the workers and materials to build the bridges.

Physiology and biology make it clear that at the outset of graphically re¬ corded history a universally illiterate—^but probably not unintelligent—hu¬ manity was endowed with innate and spontaneously self-regenerative drives of hunger, thirst, and species regeneration. The a priori chemical, electromagnetic, atomistic, genetic, and synergetic designing of these innate drives apparently was instituted by a wisdom—a formulative capability inherent in Universe—higher than that possessed by any known living humans. These drives probably were designed into humans to ensure that human life and the human mind—long unacknowledged as humanity's highest faculty—ultimately would discover its own significance and would become established and most importantly operative not only aboard planet Earth, but also in respect to vast, locally evidenced aspects of Universe. As such, mind may come not only to demonstrate supremacy over humanity's physical muscle but also to render forevermore utterly innocuous and impotent the muscle-augmented weapons and the latter's ballistic hitting powers. Mind possibly may serve as the essential, anti-entropic (syntropic) function for etemally conserving the omni-interaccommodative, nonsimultaneous, and only partially overlapping, omni-intertransforming, self-regenerating scenario— which we speak of as "Universe."

Notes:

Another complex and unique passage from B.Fuller.

Folksonomies: science culture art

Taxonomies:
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/law, govt and politics/legal issues/legislation (0.354449)
/law, govt and politics/legal issues/human rights (0.298337)

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 Critical Path
Books, Brochures, and Chapters>Book:  Fuller , R. Buckminster (1981), Critical Path, St. Martin's Griffin, Retrieved on 2013-03-16
  • Source Material [books.google.com]
  • Folksonomies: philosophy technology humanism innovation