Mostly when I think of pacing, I go back to Elmore Leonard, who explained it so perfectly by saying he just left out the boring parts. This suggest cutting to speed the pace, and that’s what most of us end up having to do (kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings)...I got a scribbled comment that changed the way I rewrote my fiction once and forever. Jotted below the machine-generated signature of the editor was this mot: “Not bad, but PUFFY. You need to revise for length. Formula: 2nd Draft = 1st Draft – 10%. Good luck.

Stephen King\'s formula for producing a second draft involves cutting 10 percent of it in order to improve the pace of the text, meaning you must cut parts that you personally really like.

In software design, when you find yourself feeling particularly proud of a neat little bit of design or code, stop and ask yourself how someone who didn't give birth to it will regard it. If it turns out to be overwrought or too slick for the need, you should probably kill your darling and replace it with an ordinary solution that others can actually use, and not just marvel at. Darlings are sometimes characterized as being "ever so clever." For an example, the phrase "ever so clever" is ever so clever.

A good principle in software design, related to egoless programming, where developers don't get personally attached to their code, making it easier to cut for more elegant solutions