01 AUG 2013 by ideonexus

 Legal Perspective of "Semiotic Democracy"

"Cultural populists," . . . generally view popular culture as contested terrain in which individuals and groups (racial, ethnic, gender, class, etc.) struggle, albeit on unequal terms, to make and establish their own meanings and identities. As the populists see things, the consumers of cultural commodities (movies, songs, fashions, television programs, etc.) neither uniformly receive nor uncritically accept the "preferred meanings" that are generated and circulated by the culture industry. T...
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Also a way of saying "Beauty is in the eye of the beholder," in that entertainers have no control over how the viewer reinterprets their work.

23 JAN 2011 by ideonexus

 Experienced Becoming Replaced with Facsimile

Art objects contain a dynamism based on scale and physicality that produces a somatic response in the viewer. The powerful visual experience of art locates the viewer very precisely as an integrated self within the artist’s vision. With the flattening of visual information and the randomness of size inherent in reproduction, the significance of scale is eroded. Visual information becomes based on image alone. Experience is replaced with facsimile. As admittedly useful as the Internet is, ea...
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We are replacing the real world, real experience, with images and film, replicating it, but the experience is degraded in the replication.