31 MAY 2012 by ideonexus
Ontogeny and Phylogeny
The History of Evolution of Organisms consists of two kindred and closely connected parts: Ontogeny, which is the history of the evolution of individual organisms, and Phylogeny, which is the history of the evolution of organic tribes. Ontogency is a brief and rapid recapitulation of Phylogeny, dependent on the physiological functions of Heredity (reproduction) and Adaptation (nutrition). The individual organism reproduces in the rapid and short course of its own evolution the most important ...Haekle explains the difference.
23 APR 2012 by ideonexus
Consciousness is the Last Mystery
Human consciousness is just about the last surviving mystery. A mystery is a phenomenon that people don't know how to think about—yet. There have been other great mysteries: the mystery of the origin of the universe, the mystery of life and reproduction, the mystery of the design to be found in nature, the mysteries of time, space, and gravity. These were not just areas of scientific ignorance, but of utter bafflement and wonder. We do not yet have the final answers to any of the questions ...Folksonomies: science consciousness
Folksonomies: science consciousness
Not because we don't understand it, There are lots of things we don't understand, but because we don't even know how to think about it.
23 MAR 2012 by ideonexus
The Entangled Bank
It is interesting to contemplate an entangled bank, clothed with many plants of many kinds, with birds singing on the bushes, with various insects flitting about, and with worms crawling through the damp earth, and to reflect that these elaborately constructed forms, so different from each other, and dependent on each other in so complex a manner, have all been produced by laws acting around us. These laws, taken in the largest sense, being Growth with Reproduction; Inheritance which is almos...The closing chapter of Darwin's "Origin" inspiring and beautiful view of evolution and life.
23 JAN 2011 by ideonexus
Experienced Becoming Replaced with Facsimile
Art objects contain a dynamism based on scale and physicality that produces a somatic response in the viewer. The powerful visual experience of art locates the viewer very precisely as an integrated self within the artist’s vision. With the flattening of visual information and the randomness of size inherent in reproduction, the significance of scale is eroded. Visual information becomes based on image alone. Experience is replaced with facsimile. As admittedly useful as the Internet is, ea...We are replacing the real world, real experience, with images and film, replicating it, but the experience is degraded in the replication.