28 FEB 2021 by ideonexus

 Adults Fear Leisure Because They Lose Control of the Cult...

In part, adults feared youth leisure because it symbolized rapid change and the inability of parents to control the culture of their o1spring, which seemed to be dominated by commercial entertainment. Commercialized youth leisure grew impressively during and after World War II. Parents away as soldiers or o1 at work lost control over their o1spring, and increased afluence encouraged commercialized play. In the 1950s, new technologies like the 45 rpm record and the transistor radio were quickl...
Folksonomies: culture parenting
Folksonomies: culture parenting
  1  notes
 
22 JUN 2016 by ideonexus

 Freeman Dyson's Optimism

Brand: I was looking at your 1988 book, Infinite in All Directions, and remembering what it was that excited me about it. Ten years ago, most people I knew were in the depths of a kind of bad mood, harboring a pessimistic feeling that things were going to keep getting worse for the rest of their lives. But your book had this pragmatic and also rather cosmic optimism about it; it came as a complete counter to the cultural flow at that point. Did you perceive that at the time? Dyson: Oh yes. I...
Folksonomies: futurism optimism
Folksonomies: futurism optimism
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30 MAY 2016 by ideonexus

 Rebuking the "Good Old Days"

When you hear someone longing for the "good old days," take it with a grain of salt. (Laughter and applause.) Take it with a grain of salt. We live in a great nation and we are rightly proud of our history. We are beneficiaries of the labor and the grit and the courage of generations who came before. But I guess it's part of human nature, especially in times of change and uncertainty, to want to look backwards and long for some imaginary past when everything worked, and the economy humme...
Folksonomies: politics progress
Folksonomies: politics progress
  1  notes
 
31 MAY 2015 by ideonexus

 The Evolving View of Science and Evil

Daedalus begins with an artillery bombardment on the Western Front, the shell bursts nonchalantly annihilating the human protagonists who are supposed to be in charge of the battle. This opening scene epitomizes Haldane's hard-headed view of war. And likewise at the end, when the biologist in his laboratory, "just a poor little scrubby underpaid man groping blindly amid the mazes of the ultramicroscopic," is transfigured into the mythical figure of Daedalus, "conscious of his ghastly mission ...
Folksonomies: science war inequality evil
Folksonomies: science war inequality evil
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