25 SEP 2025 by ideonexus
Entertainment is the Supraideology of Television
Entertainment is the supraideology of all discourse on television. No matter what is depicted or from what point of view, the overarching presumption is that it is there for our amusement and pleasure. That is why even on news shows which provide us daily with fragments of tragedy and barbarism, we are urged by the newscasters to "join them tomorrow." What for? One would think that several minutes of murder and mayhem would suffice as material for a month of sleepless nights. We accept the ne...The Supraideology of the Internet is attention.
25 SEP 2025 by ideonexus
New Mediums Provide New Orientations for Thought
Each medium, like language itself, makes possible a unique mode of discourse by providing a new orientation for thought, for expression, for sensibility. Which, of course, is what McLuhan meant in saying the medium is the message. His aphorism, however, is in need of amendment because, as it stands, it may lead one to confuse a message with a metaphor. A message denotes a specific, concrete statement about the world. But the forms of our media, including the symbols through which they permit ...23 SEP 2025 by ideonexus
Vivek Ramaswamy Claims American Culture has Venerates Med...
The reason top tech companies often hire foreign-born & first-generation engineers over “native” Americans isn’t because of an innate American IQ deficit (a lazy & wrong explanation). A key part of it comes down to the c-word: culture. Tough questions demand tough answers & if we’re really serious about fixing the problem, we have to confront the TRUTH:
Our American culture has venerated mediocrity over excellence for way too long (at least since the 90s and likely longer...13 APR 2025 by ideonexus
We Make Life Short by Dissipating It
Seneca observed that “we do not receive a life that is short, but rather we make it so,” by dissipating it
in “extravagance and carelessness.” How better to describe the contemporary leisure experience? Americans spend, on average, more than three hours per day—more than 60 percent of their “leisure” time—watching TV and scrolling through social media (often at the same time). “All boats are rising here,” boasts entertainment mogul Jeffrey Katzenberg. “More people are wa...22 OCT 2023 by ideonexus
How Realities are Created
It was always my hope, in writing novels and stories which asked the question “What is reality?â€, to someday get an answer. This was the hope of most of my readers, too. Years passed. I wrote over thirty novels and over a hundred stories, and still I could not figure out what was real. One day a girl college student in Canada asked me to define reality for her, for a paper she was writing for her philosophy class. She wanted a one-sentence answer. I thought about it and finally sa...Folksonomies: reality
Folksonomies: reality
22 JUN 2016 by ideonexus
Mainstream News is Irrelevant
Generally I don't watch the nightly network news. Experimentally I've tuned in. It lives in a parallel universe, very weakly connected to reality. One has to invest many hours in its fictional narrative to make any sense of it, much like you don't tune into episode 50 of a pop culture TV show and understand any of it. You're no better educated given one episode of the nightly news than you are when given one episode of "breaking bad".
In that way one isolated pop culture clickbait artifact f...01 AUG 2013 by ideonexus
Legal Perspective of "Semiotic Democracy"
"Cultural populists," . . . generally view popular culture as contested terrain in which individuals and groups (racial, ethnic, gender, class, etc.) struggle, albeit on unequal terms, to make and establish their own meanings and identities. As the populists see things, the consumers of cultural commodities (movies, songs, fashions, television programs, etc.) neither uniformly receive nor uncritically accept the "preferred meanings" that are generated and circulated by the culture industry. T...Also a way of saying "Beauty is in the eye of the beholder," in that entertainers have no control over how the viewer reinterprets their work.




