There were issues with this book, but I appreciate how the Critical Theory aspects of it serve as a sort of "red pill" to break us out of our complacent acceptance of the world--specifically in video games. Many reviews complain about the erudite verbiage, but all Critical Theory makes use of newly-invented words in order to circumvent our preconceptions about the social constructs that rule our lives. I appreciated the concept of the "allegorithm" of how the programming of games is used to define a world, the questioning of "play" in games when really many games are actually work, criticizing the concept of "flow" and calling it "non-contemplation," and the idea that the best gamers are merely the ones who most internalize the algorithms. This book is not for everyone. It is dense and obtuse, but also highly effective and will be very enjoyable for the right readers.
Games Turn Play into Work
‘Play’ was once a great slogan of liberation. Richard Neville: “The new beautiful freaks will teach us all how to play again (and they’ll suffer society’s penalty).” Play was once the battering ram to break down the Chinese walls of alienated work, of divided labor. Only look at what has become of play. Play is no longer a counter to work. Play becomes work; work becomes play. Play outside of work found itself captured by the rise of the digital game, which responds to the boredom...
notes Topic, Topology, and Topography in Critical Theory
In practice, critical theorists use these concepts to:
Topic: Identify and critique the central themes and issues in various discourses, questioning what is considered important or relevant and why.
Topology: Analyze the networks and relationships within social structures to reveal how power and influence are distributed and maintained.
Topography: Map and describe the socio-cultural landscape to expose the underlying forces that shape it, often highlighting issues of power, inequality, a... notes Clever References to Critical Theory
Really it is entirely about story, though not in any sense that any of you seem familiar with. Do you know nothing of narratology? Where is Derridean "play" and excessiveness? Foucauldian limit-attitude? Lyotardian language-games? Lacanian Imaginaries? Where is the commitment to praxis, positioning Jamesonian nostalgia, and despair as well as Habermasian fears of irrationalism as panic discourses signaling the defeat of Enlightenment hegemony over cultural theory? But no: discourses on this s... notes